Terms & Conditionsβββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβο»Ώβββββββββββββββββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββο»Ώββο»Ώβο»Ώβββββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββββββο»Ώββββββββο»Ώββββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββββββο»Ώββββο»Ώββββββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβο»Ώβββββββββββββββββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββο»Ώββο»Ώβο»Ώβββββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββββββο»Ώββββββββο»Ώββββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββββββο»Ώββββο»Ώββββββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ
Ingrid Berger Myhre / Foot Forward β’ Norway
8.00 PM (Nov. 10) | 1.00 PM (Nov. 11)
Studio Disstorion
Dance
English

About the show
How do we use the body as a conduit for language? Under what circumstances must the body adjust to or contradict words? And what happens when meanings begin to shift?
Spoken language rarely arrives alone; it travels with gesture. We emphasise or soften our words, stretch their meaning or brush them off. The silent contract between language and movement forms the core of Terms & Conditions.
Etymology traces where words come from and how their meanings change through use. Berger Myhre draws on this to reveal how language itself moves, almost like a dance. With humour and wit, she explores how the body encounters words and language alike: how literal and figurative meanings collide, how words slip, thoughts connect, and puns surface.
The meaning of a word is its use.βββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβο»Ώβββββββββββββββββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββο»Ώββο»Ώβο»Ώβββββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββββββο»Ώββββββββο»Ώββββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβο»Ώβββββββββββββββββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββο»Ώββο»Ώβο»Ώβββββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβο»Ώβο»Ώβο»Ώββββββο»Ώββββββββο»Ώββββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ
Contact
Sigrid Aakvik
Producer β Ingrid Berger Myhre