Second Selfβββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώββββο»Ώββο»Ώβββββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββββββο»Ώββββο»Ώββββββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώββββο»Ώββο»Ώβββββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββββββο»Ώββββο»Ώββββββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ
Myriam Bleau et Nien Tzu Weng β’ Canada (Quebec) and Taiwan
9.30 PM - 10.30 PM
SAT - SociΓ©tΓ© des arts technologiques
New writings
Without dialogue

About the show
Second Selfβββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώββββο»Ώββο»Ώβββββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβο»Ώβββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώββββο»Ώββο»Ώβββββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβο»Ώβββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ is an audiovisual work and a first collaboration between choreographer and performer Nien Tzu Weng and composer and digital artist Myriam Bleau. Through movement, sound and video, the performance explores the object of the screen as tactile interface, prosthesis, mask and mirror.
Custom-made small LED screens of irregular shapes are worn on the bodies of the performers (Weng and Bleau). Gestures on the surface of these interactive devices inform the sonic and video elements. Amplifying the sense of touch, they reveal the porous and elusive surface delimiting our idea of a separate, autonomous self.
The project's title "Second Self" refers to Sherry Turkle's book, published in 1984. The theorist suggests that intelligent machines that exhibit human characteristics act as a mirror or "second self" through which we define the image we have of ourselves. The object of the screen, omnipresent in our societies, mediates this relationship to our "second self", acting both as a portal towards a hyper-connected network, but also as a mirror, reflecting back an altered image.
Through different scenes, the artists explore the symbol of the mirror, social dynamics and the myth of Narcissus and Echo. While specular and auditory reflections (echoes) multiply as in a mirror palace, a strange ritual unfolds, the performers becoming in turn reflections of the other, infra-human creatures, twins, shadows or machines.
"At the center of my ironic faith, my blasphemy, is the image of the cyborg."
- Donna Haraway, 1985βββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώββββο»Ώββο»Ώβββββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβο»Ώβββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβββββο»Ώβββββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβββο»Ώβο»Ώβββββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββο»Ώββο»Ώβββο»Ώβββο»Ώβββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββο»Ώβββο»Ώβββο»Ώββββο»Ώββο»Ώβββββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβββο»Ώβο»Ώβββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβββββο»Ώβββββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ
Contact
Myriam Bleau
Artist