Chalking βββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββββο»Ώβββββο»Ώββββο»Ώββο»Ώβββο»Ώβββββο»Ώββββββο»Ώββο»Ώβββο»Ώβββββββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβββο»Ώβββββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββββββο»Ώββββο»Ώββββββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββββο»Ώβββββο»Ώββββο»Ώββο»Ώβββο»Ώβββββο»Ώββββββο»Ώββο»Ώβββο»Ώβββββββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβββο»Ώβββββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββββββο»Ώββββο»Ώββββββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ
Anandam β’ India
12.30 PM (Nov. 11) | 2.30 PM (Nov. 12) | 12.30 PM (Nov. 13)
Espace Mille feux
Dance
Without dialogue

About the show
What does it mean to align oneself in space and time?
Five performers build and unbuild an idea of circularity. A specific language, at once unfamiliar yet somehow inclusive of the multiple aesthetics the dancers represent, is articulated. A language that, in one way, has the precision of an ancient form, but one that is rooted in functionality rather than the decorative / narrative.
"Chalking" deconstructs a bodyβs rotational possibilitiesβturning, spinningβinto a vocabulary of tension and resistance, inscribing absence at the very heart of the bodyβs presence with others.
The performance segments and arcs movementβ drawing, erasing, and recharting encounters. The compositional structure is non-narrative, a material grid that stages the politics of dance, of what it means to align oneself in absence, in the presence of others.β
β Padmini Chettur, choreographerβββββο»Ώβο»Ώββββββο»Ώο»Ώβο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββββββο»Ώβββο»Ώββββο»Ώβββββββο»Ώο»Ώββββββο»Ώββββββββββο»Ώβββββββββββββββο»Ώβββββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώββββο»Ώο»Ώββο»Ώο»Ώβββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώββο»Ώο»Ώββο»Ώο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώββο»Ώο»Ώββββββο»Ώββο»Ώββββββββο»Ώββο»Ώββββο»Ώο»Ώβββββββββββββο»Ώββββο»Ώο»Ώββο»Ώβββο»Ώο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβο»Ώββββββο»Ώββο»Ώβββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββββο»Ώβββββο»Ώββββο»Ώββο»Ώβββο»Ώβββββο»Ώββββββο»Ώββο»Ώβββο»Ώβββββββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβββο»Ώβββββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββο»Ώβο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβο»Ώβββο»Ώβο»Ώβββο»Ώβββββββββββββββββββο»Ώβββββββββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββο»Ώο»Ώο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώββββο»Ώββο»Ώο»Ώββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβο»Ώβββββο»Ώβο»Ώβββββββββο»Ώβββββββββββο»Ώβββββββββο»Ώββββββο»Ώββββββο»Ώβββο»Ώβο»Ώββο»Ώβββο»Ώο»Ώβο»Ώβββββο»Ώβββββο»Ώβββββββββββο»Ώβββββββο»Ώβο»Ώβο»Ώβββο»Ώββββββββββββο»Ώο»Ώβββββββββββββο»Ώο»Ώββο»Ώβββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββο»Ώβο»Ώββββο»Ώββο»Ώβββββο»Ώβββββο»Ώββββο»Ώββο»Ώβββο»Ώβββββο»Ώββββββο»Ώββο»Ώβββο»Ώβββββββββο»Ώββο»Ώββο»Ώβββο»Ώβββββο»Ώβββο»Ώβββββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβββο»Ώβο»Ώβο»Ώβββββββο»Ώβββο»Ώβββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββο»Ώο»Ώβββο»Ώβο»Ώββββββββο»Ώβββο»Ώββββββο»Ώββββββββο»Ώο»Ώββο»Ώββββββο»Ώβββββββο»Ώβββββββο»Ώο»Ώβββββββο»Ώο»Ώβββββο»Ώβββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβο»Ώβββο»Ώβο»Ώβββο»Ώβββββββββββββββββββο»Ώβββββββββββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββββο»Ώββββββββββο»Ώββββββο»Ώββββββββο»Ώββββββο»Ώββββββββο»Ώο»Ώβββο»Ώβββββο»Ώβββββββο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββββο»Ώβββο»Ώβββο»Ώβββο»Ώβββο»Ώβββββββββββο»Ώβο»Ώβο»Ώβο»Ώβο»Ώβο»Ώβο»Ώβββο»Ώβββο»Ώβο»Ώβο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώββββββββο»Ώββο»Ώβββββββο»Ώβββο»Ώβββββββο»Ώβββββββο»Ώβββο»Ώβο»Ώβο»Ώβββββββββο»Ώβο»Ώβββββββο»Ώβββββββο»Ώο»Ώββο»Ώβββο»Ώββββββββο»Ώββββββο»Ώβο»Ώβββββββββββββββββο»Ώο»Ώβ
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Brandy Leary
Artistic Director β anandam